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X-ORIGINAL-URL:https://jewishstudies.washington.edu
X-WR-CALDESC:Events for UW Stroum Center for Jewish Studies
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DTSTART;TZID=America/Los_Angeles:20121102T123000
DTEND;TZID=America/Los_Angeles:20121102T133059
DTSTAMP:20260411T212708
CREATED:20121023T215849Z
LAST-MODIFIED:20121023T215849Z
UID:5294-1351859400-1351863059@jewishstudies.washington.edu
SUMMARY:Lunchtime Learning: Amelia Glaser\, "A Funny Thing Happened on the Way to the Fair: Jewish-Slavic Relations through Literary History"
DESCRIPTION:Co-sponsored by the Stroum Jewish Studies Program and Slavic Languages and Literatures \nLight lunch will be provided. \nThroughout the nineteenth and early twentieth-centuries\, Jews\, Ukrainians\, Poles\, and Russians lived together in the territory known as the Pale of Settlement\, a region of Eastern Europe that now covers much of Ukraine\, Belarus\, and the Baltic States. Although these communities spoke different languages\, followed distinct cultural habits\, and practiced different religions\, members of these communities did meet at markets and fairs. The stories that Jewish\, Russian\, and Ukrainian writers tell about these marketplace encounters help us to understand a complex history of coexistence and antagonism in the nineteenth century and after. Amelia Glaser will be discussing Jewish-Slavic relations\, as told through stories of these marketplace encounters by Nikolai Gogol\, Hrihorii Kvitka\, Sholem Aleichem\, Isaac Babel\, and others. She will base her talk on her recent book\, Jews and Ukrainians in Russia’s Literary Borderlands: From the Shtetl Fair to the Petersburg Bookshop. \nAmelia Glaser is an associate professor of Russian and comparative literature at the University of California\, San Diego\, and is currently the director of Russian and Soviet Studies at UCSD. In addition to Jews and Ukrainians (Northwestern U. Press\, 2012)\, she is the translator of a collection of American Yiddish poets\, Proletpen: America’s Rebel-Yiddish Poets (U. of Wisconsin Press\, 2005)\, which recently appeared in paperback. She is currently editing a collected volume of essays on literary representations of the Cossack uprisings of 1648\, as well as a book about American Yiddish poets from Eastern Europe. Professor Glaser grew up in Northern California\, received a BA from Oberlin College\, an MA in Yiddish from the University of Oxford\, and a Ph.D in Comparative Literature from Stanford University. \n 
URL:https://jewishstudies.washington.edu/event/lunchtime-learning-amelia-glaser-a-funny-thing-happened-on-the-way-to-the-fair-jewish-slavic-relations-through-literary-history/
LOCATION:WA
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DTSTART;TZID=America/Los_Angeles:20121108T190000
DTEND;TZID=America/Los_Angeles:20121108T203000
DTSTAMP:20260411T212708
CREATED:20121030T235133Z
LAST-MODIFIED:20170901T001205Z
UID:5451-1352401200-1352406600@jewishstudies.washington.edu
SUMMARY:JewDUB Talks Premiere!
DESCRIPTION:One room. Four talks. Endless possibilities. \nExperience Jewish Studies in a dynamic new format: short talks offering quick windows onto fascinating topics. Inspired by the style of TED talks\, these pocket-sized public lectures will open up new avenues of discovery. \nDate: Thursday\, November 8th\, 7:00 pm \nLocation: UW Tower Auditorium \nCost: Free! Reception will follow. \nRSVP / Registration: jewdubtalks.eventbrite.com \nThe first-ever JewDUB Talks will feature four of our terrific faculty members. Here’s who is on tap: \n\nProf. Devin Naar – “In Search of Uncle Salomon”\nProf. Sarah Stroup – “The Myth of Tradition”\nProf. Shalom Sabar – “Where do our rituals come from?”\nProf. Barbara Henry – “So why Yiddish?”\n\nCome out on November 8th and hear what everyone’s talking about. \nJewDUB Talks is made possible in part by a generous grant from the Special Initiatives Fund of the Jewish Federation of Greater Seattle. \nFor continuing coverage of the Stroum Jewish Studies Program’s public programming\, check out JewDub.org!
URL:https://jewishstudies.washington.edu/event/jewdubtalks/
LOCATION:WA
CATEGORIES:Academic Lectures,Sephardic Studies
ATTACH;FMTTYPE=image/jpeg:https://jewishstudies.washington.edu/wp-content/uploads/2012/10/img_1164_9510426825_o-X2.jpg
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DTSTART;TZID=America/Los_Angeles:20121114T003000
DTEND;TZID=America/Los_Angeles:20121114T133059
DTSTAMP:20260411T212708
CREATED:20120918T230422Z
LAST-MODIFIED:20120918T232105Z
UID:4805-1352853000-1352899859@jewishstudies.washington.edu
SUMMARY:Lunchtime Learning: Leah Garrett of Monash University in Australia\, “Jewish American War Novels”
DESCRIPTION:Wednesday\, November 14\, 2012  \n12:30 – 1:30pm in Thomson 317\, Light lunch provided \nLeah Garrett of Monash University in Australia\, expert in Yiddish and Jewish-American literature\, will speak on “Jewish American War Novels” \nIn 1948 five books about the war dominated the New York Times bestseller list and were all written by Jews and made Jewish soldiers central protagonists: Norman Mailer’s The Naked and the Dead\, Irwin Shaw’s The Young Lions\, Ira Wolfert’s An Act of Love\, Merle Miller’s That Winter\, and Stefan Heym’s The Crusaders.  A sixth book about a Jewish soldier also sold well that year (although it did not make the bestseller list)\, Martha Gellhorn’s The Wine of Astonishment.  The critical and popular dominance of Jewish war novels in America extended into the early 1960s.  For instance\, Herman Wouk’s The Caine Mutiny (1952) was the largest postwar bestseller\, while Joseph Heller’s Catch-22 (1961) initiated the literary trend of satirizing and subverting America’s war aims. \nJewish writers argued in their novels that the Holocaust was a central\, rather than ancillary\, aspect of the war experience.  Other themes that Jewish war novelists took up included a focus on the endemic antisemitism and racism in the military\, the infusion of intellectualism into the figure of the ideal soldier hero\, and the reversal of the standard American understanding of the Japanese enemy as a devil and the German as an European brother.  In Jewish novels\, the Japanese are fellow minorities\, and the Germans are the true demons. \nYet the central role of Jews in fictionalizing War World II for a postwar readership has gone unnoticed in literary and historical studies.  Either the Jewishness of the writers is uncommented on\, or\, the Jewishness of the text is negated.  This factor is central\, because as I will discuss\, Jewish authors wrote about the war in very unique ways\, and since their novels were bestsellers\, they had a direct impact upon how postwar Americans understood the war effort.
URL:https://jewishstudies.washington.edu/event/lunchtime-learning-leah-garrett-of-monash-university-in-australia-jewish-american-war-novels/
LOCATION:WA
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20121129T200000
DTEND;TZID=America/Los_Angeles:20121129T220059
DTSTAMP:20260411T212708
CREATED:20121130T022728Z
LAST-MODIFIED:20121130T022728Z
UID:5865-1354219200-1354226459@jewishstudies.washington.edu
SUMMARY:Global Rhythms: Gerard Edery Trio in Concert at Town Hall
DESCRIPTION:SJSP is pleased to offer tickets to this Sephardic music concert at the Town Hall member rate. \n  \nClick here to buy your discounted ticket!
URL:https://jewishstudies.washington.edu/event/global-rhythms-gerard-edery-trio-in-concert-at-town-hall/
LOCATION:WA
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